Like others, they use the Mac OS color picker controls as a form of three-way color correction without building a separate grading interface.įCP X’s built-in Teal & Orange look. Lawn Road also offers other color correction filters, such as Color Grade. I’ll take a detailed look at Hawaiki in a future post. The unique interface may be used as a HUD overlay or surrounding the image. In also features blur and sharpening, plus a wealth of color controls. Hawaiki Color has been jointly developed by Simon Ubsdell and Lawn Road as a full-fledged color corrector, using the color wheel model. Noise Industries’ FxFactory Pro package includes several color correction filters, including Bleach Bypass, Crush Color and Film Process (their version of the Technicolor 2-strip look). You can also change the intensity of the grain structure by selecting between film options from 35mm to Super 8mm. The filter version has a limited range of color correction controls, but like DFT Film Stocks, is designed to emulate film. Rubber Monkey Software’s FilmConvert Pro is available as both a standalone application and as a plug-in. In addition to grading, it also offers controls for gradients, diffusion, warm/cool hue shifts and vignettes. The adjustment is customized in the external window, with many controls designed to emulate various film emulations.ĭV Shade EasyLooks is a full correction suite within a single plug-in. Tim Dashwood’s Editor Essentials package includes several image adjustment tools, including Levels and Camera Gamma correction.ĭigital Film Tools’ Film Stocks is an external application that’s accessible from FCP X via a plug-in. This Cross Process filter simulates film processing effects, which, when pushed to extremes, offers a nice way to stylize an image. Note that Mac OS color picker controls allow you to tweak the tinting colors.ĭeveloper Simon Ubsdell has posted a number of free filters at the FCP.co forum. This QuickLooks Teal filter gives you an “orange-and-teal” look. One allows extra color correction control within the mask area.ĬineFlare has released several free sampler filters. Of course, you can play with it on non-flat images, too.ĬoreMelt’s SliceX masking tool includes several filter variations. These are two of a set of free FCP X filters.Ī combination of three built-in FCP X filters – Hard Light, Hue/Sat and Crisp Contrast.ĬoreMelt has released several free filters, including a curve adjustment used to correct “flat” HDSLR images. Remember that getting the right look is often a matter of using a combination of filters, rather than just one.Ī combination of Alex Gollner’s Levels and YUV Adjust filters. Often you start with a good-looking Rec 709 image that needs some pizzazz. It’s nice to get flat, log-profile images for grading, but that’s not always the case. This is my starting point, which is typically what most editors encounter when color correcting a job. In this case, I started with an already-corrected clip that I created in Adobe Lightroom. A few of these clips have been posted online in both CinemaDNG and ProRes formats. My sample image is from the John Brawly Afterglow clips used to promote the Blackmagic Cinema Camera. Click the thumbnail images for an enlarged view. For example, many of these plug-ins include color temperature, tint and contrast controls that add a nice dimension past the usual three-way correctors.īelow is a quick potpourri of plug-ins (built-in and third-party) that you can use with FCP X. In addition, the filters being developed for FCP X include more photographic correction functions than we’ve been used to in the previous class of effects filters. It’s about getting the right look for the best emotional impact and with FCP X there are a host of choices at very little expense. I’m not limiting this to simply color correction, but also glow, diffusion and stylizing filters that increasingly are a part of a grading session. There simply is no other NLE on the market with as many built-in and third-party tools for making adjustments to image color and style. One of the aspects I enjoy about Final Cut Pro X is the wealth of tools and methods for color correction, grading or whatever you want to call the process.
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